Category: Personalities

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Jukwaani, that’s where we meet on Thursday

African culture has from time immemorial been transmitted, from one generation to the other, through the spoken word. This goes to show why the fireside stories, often told by grandmothers, occupy such a central place in the African literary setting. The study of African literature is not complete without talking about oral literature. Some of the greatest African novelists trace the roots of their prowess from the stories they were told by their grandmothers when they were growing up. Here, Chinua Achebe of the Things Fall Apart fame comes to mind. Performance literature has, over time, undergone a transformation in tune with modern trends. Still, this form of art is highly cherished in Africa. Perhaps the finest form of performance literature are poetry recitals which come in various forms, ranging from poetry slam to spoken word. In a move to celebrate performance literature, the Kenya Cultural Centre, the Goethe Institut and Alliance Francaise will be holding a one-of-its-kind festival from 17 to 20 September, whose entry will be free.Poster JUKWAANI 2

Dubbed Jukwaani! the festival will feature a blend of the new and old as far as East African performance literature is concerned. The five-day event will also feature European-based African artistes as well as those from Europe. The performances will mostly be in English and Kiswahili. Among the personalities set to perform during the festival is German-based poet and scholar Abdilatif Abdalla. Most young Kenyan’s would not be immediately aware of Abdilatif nor his achievements. In literary circles, he is best known for his protest works. The Kenyatta regime jailed him after he wrote the book Kenya Twendapi? (Kenya; where are we headed?) This book criticised the Kenyatta government for its excesses and neo-colonial stance. He was actually charged with sedition. His other book, Sauti ya Dhiki (Voice of Agony), a collection of poetry was written while he was incarcerated at Kamiti Maximum Prison. It was basically agitating for the opening up of democratic space in Kenya. Sauti ya Dhiki went on to win the inaugural edition of the Jomo Kenyatta Prize for Literature in 1974 for the Kiswahili category. Ukoo Flani Mau Mau, better known for their lyrical prowess, will also be part of Jukwaani! attractions. Ukoo Flani, draw their inspiration and creativity from the day-to-day struggles in Nairobi slums. They are based in slums of Dandora. Best known as underground artistes, these Dandora-based hip-hoppers have chosen to remain true to their impoverished slum existence by shunning the more commercial forms of creativity. Theirs is the hard-hitting poetry that depicts typical life in the slums, their suffering, in the hands on corrupt authorities, as well as triumphs. They also document the negative side of life in the slum, like the effects of crime and drug abuse. Ukoo Flani are a direct contrast to the other form Kenya’s urban hip hop, which appears to celebrate materialism, commonly expressed in the form of flashy lifestyles and bling. Proceeds of their album Kilio cha Haki are going towards the creation of a permanent studio in Eastlands. This, they argue, will help to give young Kenyans a voice and demonstrates how hip hop and music can be an alternative to drugs and crime; a source of income; a means of voicing social and political protest. Truth be said Ukoo Flani boasts some of the finest urban poets in Kenya today, and it is their lyrical prowess that will be showcased at the festival. Tony Mochama, also known as the Literary Gangster, for his unconventional and often abrasive poetry, will also be performing at Jukwaani! The moniker Literary Gangster was inspired by the title of his book, What if I am a Literary Gangster, a collection of poetry. Other featured performers include Dalibor Markovic, Sheikh Ahmed Nabhany, Talking Drums of Africa, and Zamaleo, among others. While the example of Abdilatiff Abdalla goes to show that performance literature has been in existence for a long time, particularly among the Swahili people, the idea of performance poetry has caught up among urban youth in the last four years. Perhaps the best known is Open Mic poetry sessions organised on a monthly basis by Kwani Trust. The idea of Open Mic is borrowed from the American inspired Poetry Slam. Here a number of poets take to the stage to perform their poems and are awarded points from either a panel of judges or the audience. Spoken word is the other form of performance poetry, which is often accompanied with a musical background. Compared with Southern African countries, East Africans lag behind when it comes to performance poetry. Zimbabwe for example, has a well-established poetry movement, which has been at the forefront in the agitation for opening up of democratic space in the country. Jukwaani! as the name suggests, will mainly centre on what is on show on the podium. Jukwaani is Kiswahili for on the stage or podium. Jukwaani! hopes that the boundaries separating the performer from the audience will be shattered leading to a situation where the audience is fully involved.

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A tribute to Kimani Maruge

When Kimani Maruge burst into the public limelight, I thought it was a bad joke, a publicity stunt gone too far. Seriously, how could a man aged over 80 enrol in Standard One? Nevertheless, I followed his ‘educational career’ with detached interest.
Two years down the line the man was still at it. So the guy was serious after all? I was now asking myself. Slowly he was winning me over. And yes he had become a media superstar. Boy, did the media love Maruge? And he rarely disappointed. He always came up with soundbites, that TV people ran over and over again.
My most enduring image was of the old man with a blue (I am colour blind) blazer, with matching knee-length shorts. His socks were always pulled to the base of his knees. And below them was a pair canvas shoes popularly known as Bata Bullets.
Thus dressed, and with his ubiquitous cane Maruge would drag one heavy foot after the other on his way to school.
It did not take long before the folks at Guinness Book of Records took notice, and he promptly entered their books for the dogged way he sought to get educated. He became the world’s oldest pupil.
This man kept telling everyone who cared to listen that he went to school so that he would be able to read the Bible, and soon he was reading his favourite book.
It was worthy noting here that Maruge despite his advanced age wanted to learn how to read. His example put to shame many people who soon after they are through with formal schooling throw away their books. You’ve probably heard of infamous academic bonfires, where secondary school leavers pile all their books and set fire to them.
In their foolish thinking that is the end of them and reading. These are people who have been socialised to think that reading is a form of torture, that is only tolerated for the sake of sitting exams.
During the just concluded Storymoja Hay Festival I attended a session where Muthoni Garland, the managing director of Storymoja, told the story of a young woman who came looking for a job in her firm.
When Muthoni asked the young woman the last title she read a book, the young woman shamelessly told her that she no longer reads and she had now finished schooling! Muthoni says she was scandalised and rightly so. Here is a person who hopes to be employed in a publishing firm, and who does not read.
Well, that girl is in good company. There are quite a number of people who work in our publishing houses, who do not read. Don’t ask me how I know.
Back to Maruge. As a media star, his star never faded. He continued to attract media attention in almost everything he did. Such was his star power that the Kenya Publishers Association (KPA) invited him as a guest during the 2005 edition of the Jomo Kenyatta Prize for Literature awards at the Nairobi International Book Fair. Marugi Photo
In his speech Maruge, then in Standard Five, counselled on the need to cultivate a healthy reading culture. He also took the opportunity to urge the youth against engaging in casual sex.
After that Maruge retreated to his quiet lifestyle in Kenya’s Rift Valley, where he continued with his studies. The next time I heard major news on him was after the post-election violence, where he was talking to the media from an Internally Displaced Persons’ (IDP) camp.
He had been ejected from his home for belonging to the ‘wrong tribe’.
And that is how he landed in a home for the aged, in Nairobi, from where he continued with his education. All this time, he pledged to pursue his education up to university level.
By now, Maruge was looking frail, and he spoke with difficulties, but still his star power was unmistakable. Everything he did attracted media attention.
This included his baptism ceremony at a Nairobi church. Meanwhile Hollywood was planning to shoot a major movie based on his life. Titled the First Grader, the movie unfortunately, could not be shot in Kenya as the relevant authorities levied exorbitant taxes on the moviemakers. South Africa gave them tax incentives they sought and that for the umpteenth time the South African country got to shoot a movie originally destined for Kenya.
I must mention here that I was involved, in a small way in scouting for a suitable person to play the part of Maruge, but that is a story for another day.
Maruge died on August 14, at the Chesire Home for the aged in Kariobangi North, where he was staying, from complications of stomach cancer. He was aged 89.
Fare thee well Maruge. You fought the good fight. I propose a literary award in honor of the old man. Any takers?

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You can now order your books online

I’ve just had a chat with a most interesting couple, and at the end of it my faith in the young people of this country was restored. Not only have they married across tribes, they have come up with a unique online shopping experience for books.
What make’s Enock and Rachel Essendi’s venture unique is the fact that it is completely localised in that you can use M-Pesa to buy the books.
What is more delivery is absolutely free. All you have to do is log on to Rachel’s Bargain Corner, and order your book online. Once you pay your money through M-Pesa, you will get an automatically generated code, which you will then enter and wait for the book to be delivered wherever you want.
“We have an edge over conventional bookstores in that a person anywhere in the country can go online order a book and get it delivered to them,” explains Rachel.
The couple are both 27 and they met in Egerton University, where Rachel was taking a degree in Biomedical Sciences, while Enock was doing Computer Science.
Enock says that his wife is more business-minded and she is the one who decided to establish the online bookshop. “With my technical know how in IT, I designed the website,” he says adding that they are partners in the venture.
Unlike other online shopping stores, which rely on credit cards for payment, Rachel’s Bargain Corner employs the popular M-Pesa mode of payment. “Very few Kenyans have access to credit cards, but M-Pesa is widely available,” says Rachel.
Already, a number of publishers have bought into their idea and are supplying them with books. Rachel first approached Kakai Karani, the general manager of Longman Kenya, who instantly liked the idea.
Rachel then took photos of the books, information on the books and uploaded them on their website. “In instances where publishers have soft copies of their books, they have given that to me,” explains Rachel.
This makes work easier for the publishers as they are now assured of reaching areas that are currently not served by bookshops. Publishers also get the added advantage of saving on costs of delivering the books. Of course publishers give them the discounts extended to booksellers.
Customers from outside Nairobi can have their books delivered through the post office, “The customer indicates the preferred mode of delivery on the website, when they are ordering, and it comes at no additional cost,” she adds.
Apart from Longman, Rachel’s Bargain Corner has also entered into an agreement with the University of Nairobi Press, WordAlive Publishers and Text Book Centre. Storymoja and Kwani? publishers are in the process of joining them. “We are in talks with more publishers to partner with us,” says Rachel.
Rachel’s Bargain Corner will come as a relief for parents who are sending their children back to schools. “We have seen parents waste many hours in long queues waiting to buy books from bookstores,” says Enock. “What we are telling these parents is; you can now attend to other businesses and leave us to deliver the books to you.”
Mr Karani is full of praises for the initiative. “The very fact that they are able to apply the M-Pesa mode of payment puts them head over shoulders over other online shopping entrepreneurs,” says Mr Karani.
“Apart from the fact that they are opening up the availability of books to thousands if not millions of people, they have also revolutionised the supply chain, in that readers can order books from the safety of their offices or homes,” adds Mr Karani.
There is also the added beauty of readers ordering through their phones.
Rachel’s Bargain Corner has been in operation for the last one month, and already the response from customers, mostly their friends, has been satisfactory.
The following areas in Nairobi are currently in their program of distribution: Nairobi CBD, Westlands, Ngong Road, Mombasa Road, Upper Hill, Community Area and Hurlingham.
And with fibre optic cable finally here with us, the future looks really bright for the young couple.
Enock and Rachel got married in July last year and they have a nine-month-old daughter Lakisha.

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Ngugi’s new book launched in Nairobi

Kenya’s most celebrated author, Ngugi wa Thiong’o, was in town and there is no way I was going to miss the occasion of launching his newest book, Re-membering Africa. This was yet another opportunity for me to interact with the cream of Kenya’s literary society – who in their right mind would dare miss an event graced by Ngugi?
I am walking to the Alliance Francaise, where the launch is taking place, when Billy Kahora, the Kwani? editor calls me from South Africa. There are some details I wanted clarified on the second edition of Kwani? 5, I am reviewing for the Sunday Nation.
I have particularly strong views on a certain Kwani? writer, which I am including in the review. “I have no problem with what you have to say as long as it is constructive criticism,” Kahora says from the other end of the phone. Hmm…
I am a bit late for the event, as usual, and Henry Chakava, the chairman of East African Educational Publishers (EAEP), Ngugi’s local publishers, is almost halfway into his speech.
My feelings of guilt are banished by the reception I get from Lydia, who is looking particularly hot tonight. Lydia, for those who do not know, is the receptionist at EAEP’s Westlands offices.
As he finishes his speech, Chakava addresses the issue of language in the book being launched. Remember Ngugi had sworn to only write in his Gikuyu language? Is Ngugi backtracking on his vow? “Sometimes it makes sense to tell them (Mzungu) in their own language,” says Chakava as he welcomes Ngugi.
As usual Ngugi welcomes members of his family present. Of particular interest is a young man, in his early twenties, who someone whispers to me, is a product of Ngugi and a Mzungu woman in Sweden. Apparently, the young man must have been conceived in the early years of Ngugi’s exile.
Ngugi then makes a revelation that he is working on his memoirs. The first installment is titled Dreams in a Time of War, which basically talks about his early childhood. Already five publishers around the world have already bought publishing rights of the book! I told you Ngugi was big.
Publishers in the region must envy EAEP. They are automatically assured of rights for Ngugi’s works.
And to appreciate how this relationship came about Ngugi tells of how far he has come with Chakava. At some point Chakava almost had his finger severed for continuing to publish Ngugi at the time when the powers that be wanted nothing to do with him. He is also the man who had to bear with Ngugi’s experimentation in writing in Gikuyu, in spite of repeated warnings from his superiors – then Heineman Educational Publishers in the UK.
Unconfirmed reports say that Ngugi is a major shareholder at EAEP.
Re-membering Africa, is apart of a series of lectures Ngugi gave in 2002, staring with Harvard. In the book he has addressed issues of language. Well aware that his thoughts might spark off heated debates Ngugi said that when people read the book, they will agree, disagree or add onto his ideas. “Most of all, I just wanted to provoke a debate,” he said.
On the issue of language, he said that there is nothing wrong for Africans to learn foreign languages. “However, there is something fundamentally wrong when one identifies with other people’s languages and despises his own language,” he said heatedly, calling that a form of slavery.
He added that to add foreign languages to your own language is to empower oneself. Mnaskia hiyo maneno?
Check this space for a review of this book.
The book was first published early this year by Basic Civitas Books under the title Something Torn and new: An African Renaissance.

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Ngugi bags Man Booker nomination

Kenya’s foremost writer Ngugi wa Thiong’o is among 14 contenders for this year’s Man Booker International Prize. Worth £60,000 to the winner, the prize is awarded every two years to a living author who has published fiction either originally in English or whose work is generally available in translation in the English language.
Ngugi is the only African writer in the list of nominees, who include Nobel winner V.S. Naipaul. The nomination alone is enough proof that Ngugi’s works are rated among the world’s best.
Other nominees for the prize are Peter Carey (Australia), Evan S. Connell (USA)
Mahasweta Devi (India), E.L. Doctorow (USA) , James Kelman (UK), Mario Vargas Llosa (Peru), Arnošt Lustig (Czechoslovakia), Alice Munro (Canada), Joyce Carol Oates (USA), Antonio Tabucchi (Italy), Dubravka Ugresic (Croatia) and Ludmila Ulitskaya (Russia).
This is the third edition of the prize, which was won, in 2005, by Albanian Writer Ismail Kadare, and Nigerian Chinua Achebe, in 2007.
“By honouring Achebe they have redressed what is seen in Africa – and beyond – as the acute injustice that he has never received the Nobel prize, allegedly because he has spent his life struggling to break the grip of western stereotypes of Africa,” said the Guardian in 2007.
The winner is chosen solely at the discretion of the judging panel; there are no submissions from publishers.
Ngugi, whose writing career started 45 years ago decided to stop writing in English when he was detained without trial in 1977. He henceforth decided that would write in Gikuyu. He wrote his latest book Wizard of the Crow (Murogi wa Kagogo) in Gikuyu and later translated it in English.
The book takes a critical look at the often hypocritical relationship between Africa and donor countries. The book appears to suggest that donor funds are actually the main contributors to corruption and dictatorship in Africa, thereby fuelling underdevelopment in the continent.
His other book The River Between is currently a literature set book studied by secondary school students in the country. Ngugi is also a renowned essayist, with Decolonising the Mind: The Politics of language in African Literature and Moving the Centre: The Struggle for Cultural Freedom, receiving international acclaim.
Ngugi was born on 5 January, 1938 in Limuru. He attended Makerere University in Uganda and Leeds University in the UK.
During his tenure as a lecturer at the University of Nairobi, Ngugi was at the center of the politics of English departments in Africa, championing the change of name from English to simply Literature to reflect world literature with African and third world literatures at the center.
The performance of I Will Marry When I Want, a play written with the late Ngugi Wa Mirii, at Kamirithu in Limuru landed him at the Kamiti Maximum prison without trial.
After his release in 1982, he fled to exile, first in Britain and then to the US and only returned to Kenya in 2004. On his return him and his wife Njeeri were attacked by gunmen at their hotel in Nairobi.
In 1992 he became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He is currently a Distinguished Professor of English and Comparative Literature as well as the Director of the International Centre for Writing and Translation at the University of California, Irvine.
The winner of this year’s Man Booker International Prize will be announced in May 2009, and the winner will be presented with their award at a ceremony in Dublin on 25 June 2009.

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Issues Personalities Reviews

Koigi’s shock and awe in new book

It has been said that former Subukia MP Koigi wa Wamwere and controversy are inseparable. Nowhere does that come out clearly than in his new book Towards Genocide in Kenya: The Curse of Negative Ethnicity in Kenya. Actually, this is not an entirely new book. Koigi added a new chapter in his earlier book Negative Ethnicity: From Bias to Genocide, to come up with the present book.
The first book was published by Seven Stories Press in New York in 2003. It warned of what would happen in Kenya should we let the monster of negative ethnicity (tribalism) entrench itself in the country. We entertained the monster and it did not disappoint. Four years after Koigi’s book was published the country burst its seams.
Kenyans turned against Kenyans in an orgy of murderous violence previously unseen in the country history of the country. Well, we had witnessed violence inspired by negative ethnicity since 1992, at the introduction of multi party politics, and which occurred predictably, every five years, in time for general elections.
The violence that took place after the contested 2007 General Election, though said to be a “fight for democracy” was just an extension of what had been happening in 1992 and 1997. The only difference is that this time inhibitions were cast aside, and our soft underbelly was exposed. Local and international media cheered on as poor Kenyans butchered fellow poor Kenyans.
If truth be told, the 2007 elections were not about issues. It was all about tribe and hatred, and negative ethnicity was on the driver’s seat. The new chapter on Koigi’s book is aptly titled Reaping the Storm, for we surely reaped the storm. The author puts events that led to the violence into sharp perspective, and he takes no prisoners. In the book, he delves into issues that are only talked about in whispers. In short he goes where the Kenyan media chose to ignore or to cover up all together.
Koigi also takes the battle to the backyard Western powers and exposes what he thinks was their role in the whole issue. Most of all he examines the relationship between various ethnic communities in Kenya and how politicians were able to exploit that and sow seeds of enmity and hatred among the people. He also addresses the issues of the coalition government, and what he thinks are its chances of success.
Going by some of the revelations in the book, it is likely that it might rub some feathers the wrong way, and that is where Koigi excels in courting controversy. Some publishers had to turn the book down, in view of the explosive contents of the new chapter. Eventually, the book found home in Mvule Africa, a publishing venture run by Barrack Muluka, another person who does not shy away from controversy. I must also mention that the book has some pictures, whose only intention must have been to cause “shock and awe”. You only need to see some of the images to see what I mean.
The book is available at leading bookstores and is retailing at Sh1,200, which I think is a bit on the higher side. Overall, the general physical outlook of the book should have benefited from more professional input.

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What does Palin have against books?

I must admit here that Sarah Palin, in spite of the awful things that have been said and written about her, pulled off quite a speech when she accepted her vice-presidential nomination at the Republican Convention.
She proved that just like Obama, she has what it takes to work up crowds and the Republican conservatives must really love her. While I would wish her well, as she and McCain face off with the formidable opposition of Obama-Biden, I can’t help but wonder what she has against books.
I think her speech was going on rather well until she decided to make Obama’s authorship the topic of her attacks against the Illinois Senator
“… it’s easy to forget that this is a man who has authored two memoirs but not a single major law or reform – not even in the state senate,” she charged. This was in obvious reference to Obama’s two best-selling books ‘Dreams From My Father: A Story of Race and Inheritance’ and ‘The Audacity of Hope: Thoughts on Reclaiming the American Dream.’
It is not hard to see that Palin is miffed by the positive publicity the two books have afforded Obama. On the contrary everywhere she turns she effortlessly attracts scandal and more scandal.
Isn’t it the height of mediocrity that any person, let alone a vice-presidential candidate, would decide to attack the very fountains of knowledge; books.
What example is the good lady setting to American children by pouring scorn on books? The saddest part in this macabre script is that those gathered actually cheered when she uttered these unfortunate words.
I can understand where she is coming from. Brawn as opposed to brains has served her well on her way to the top. When you hear that she managed to tear apart the “old boys” network in Alaska, as well as taking on oil cartels, don’t imagine she did it through the power of persuasion. Is it any wonder that the word Barracuda has liberally been used to describe her? Oh, by the way she loves guns and likes hunting.
I gather that Palin has a degree in Journalism. But pray tell, why she exhibit such contempt of knowledge and information?
In spite of everything, I still have much faith in Palin. She can redeem herself and even put her massive talents to good use by writing a book or books of her own.
Suggested titles:
Pregnancy Myths: A Working Mum’s Journey to the Top
More Guns, Less Books: My Dream for a Terrorist Free America
Good luck Palin. You really need it.

Update: I gather that sometime back in Alaska, Palin tried to get a librarian fired because the said librarian refused to remove some books, the governor found “offensive” for the library! How anti-knowledge can one get?

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Reformed drug trafficker’s book is all the rave

Judy Akinyi, or Saga MacOdongo, if you like, is the latest sensation in the Kenyan literary scene. Every one now seems to want a piece of her. Well, I will not deny her the right to be feted by literary enthusiasts. She has earned it. Her book Deadly Money Maker is currently the talk of town. The book was written while she was serving a jail term at the Langata Women’s Prison, for drug trafficking.

A former lecturer at the Kenya Polytechnic, Akinyi fell to the lure of quick money and plunged into the underworld. Her dream of overnight riches evaporated into thin air when on coming back from her maiden trip as a mule, she was arrested at the Jomo Kenyatta International Airport.

The drug queen, who had introduced her into the illegal business left her to her own devices, and that is how she found herself cooling her heels at Langata. It seems odd and cruel that she would be arrested even before she tasted the fruits of her “work”. Well, word on the ground has it that, she had been set up as a pawn. She was earmarked to be a sacrificial lamb. This theory goes on to further suggest that drug lords and drug enforcement officials sometimes work in collusion.

The plan, it is said, is to have an unfortunate mule arrested, after a certain period of time, so as to show the public the war against drugs is alive and well. Thus, poor Akinyi found herself in the middle of a complex web and suffered the consequences

As fate would have it, it was not long before she got her chance to exact revenge.  The drug queen, who sold her short, was finally arrested and was to be tried in the US. Akinyi was only too willing to testify against her. Akinyi’s testimony was all the justice system in the US needed to finally put the other woman behind bars.

Akinyi had not finished her sentence when she was released courtesy of a presidential pardon. Shortly after her release, Kwani? featured her in their monthly prose reading sessions, the Sunday Salon in June. Storymoja were waitinng in the wings and no sooner had Kwani? finished with her, they snapped her up with an even bigger and more elaborate schedule.

The readings kicked off on July 5 at the Wheels Restaurant along Ngong Road, followed by another one at the Das Restaurant in Westlands, the following day. On Saturday July 12, they were at Choma Vision along Thika Road. Their next event takes place on Sunday, July 27 at Tea Pot Restaurant, along Koinange Street from 2p.m. to 6p.m. The host will be radio personality Valentine Njoroge.

This is on top of the numerous TV interviews she has made in the intervening period. And Maisha Yetu reveals that a movie project, based on the book is in the works. Watch this space for developments. All this hype will definitely do a lot of good to the book, which might boost its sales. Hopefully then, she might not be tempted to go back into crime.

One thing though, all this hype risks getting into her head. Before you accuse me of sour grapes let me explain; Soon after her release, a journalist with one of the leading papers in Kenya called her seeking for an interview. After taking him round in circles postponing the interview, she finally asked him if he would pay her! To cut the long story short, the interview eventually did not materialise.

And how come her publishers, Paulines Publications are not getting any mentions? Could it be that they are just content to have their book marketed for them?

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Wangari Maathai’s book at Storymoja Book Club

Prof Wangari Maathai’s memoirs Unbowed, will be the subject of discussion during this month’s Storymoja’s Book Club. The event takes place on Monday 7th of July 2008 at the Sherlock’s Den Nakumatt Lifestyle from 6pm to 8 pm.

Nominated MP Njoki Ndung’u will grace the event.

Unbowed, published in 2006, puts the Nobel Laureate’s life in focus. In the book, she opens her life to the reading public, including intimate details about her marriage, and the messy divorce that followed.

She also describes, in great detail, her struggles against retired President Moi’s dictatorship, for which she suffered severe beatings, public humiliation from politicians, and being locked in police cells. Incidentally, it is those tribulations that eventually earned her the Nobel, not forgetting her tree planting efforts.

Many publishers in Kenya did not take kindly the fact that Prof Maathai overlooked them and chose a foreign publisher. During the book’s launch at Outspan hotel in Nyeri, in September 2006, Prof Maathai said that no local publisher had approached her for the project.

This is despite the fact that an editor, at a local publishing house, had confided in me that they had contacted her office with a view to writing the book, but got no response.

To be honest had I been in Prof Mathaai’s position, I would have opted for the foreign publisher. The offer one gets from these people is, to paraphrase Kimunya, is simply irresistible.

This should not be interpreted as a slight to local publishers, but do they have the capacity to market such a book internationally? The answer is a big NO!

Let me illustrate this. Why is it that a book like Onduko Bw’ Atebe’s The verdict of Death, which in spite of winning the inaugural Wahome Mutahi Literary Prize, is not known beyond Kenyan borders?

Even Ngugi wa Thiong’o, with his attachment to East African Educational Publishers, decided to give international rights for his book Wizard of the Crow, to foreign publishers.

Local publishers however made up for it by publishing Children’s books on the Nobel Laureate. Oxford University Press published Waithaka Waihenya’s Army of One, in 2006. Last year, Sasa Sema, an imprint of Longhorn Publishers published Kinyanjui Kombani’s Wangari Maathai: Mother of Trees.

But I digress. The Storymoja Book Club brings together book lovers, who discuss their shared love; the book. The book club also affords them the opportunity to network. Annual membership to the club is Sh1000.

What are the benefits of being a Storymoja Book Club member? For starters you qualify to get 20% Discounts for books in Nakumatt Ukay, Mega, Nyali and Embakasi bookshops, hmm not bad at all. That is not all. One also gets 10% reduced on the price food and drinks courtesy of Books first, Sherlock’s Den and Storymoja. I wonder if this enticing discount is applicable whenever a Storymoja Book Club member drops by at Sherlock’s Den at anytime?

 

                   

 

 

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Issues News Personalities Reviews

Hotel Rwanda: A work of fiction?

The Movie Hotel Rwanda might have done a lot to sensitise the world on the 1994 Rwandan genocide, but not many people in Rwanda are happy about it.
So much such that there is nothing in or around Hotel des Mille Collines that says that this is actually the hotel that was famously depicted in the movie.
One naturally assumes that the huge publicity generated by the Hollywood movie, directed by Terry George and starring Don Cheadle, might be taken upon by Rwandan authorities to promote it as a popular tourist destination.
The movie tells the story of Paul Rusesabagina, acted by Cheadle, the manager of the hotel, at the time of the genocide, and who is credited with saving the lives of more than 1200 refugees, who had camped there.
Now, the name Rusesabagina is spoken of, not with fondness, but with contempt, by certain quarters in the country. In fact, government officials want nothing to do with Rusesabagina, a Hutu.
The Rwandan government, comprised mainly of Tutsis and moderate Hutus, and who were on the receiving end of murderous Hutus during the genocide, are angry that the movie depicts Rusesabagina as a hero who saved people’s lives. They say that is not the case.
While at some point, following the release of the movie in 2004, Rusesabagina carved himself a high profile career, in Europe and the US, giving talks about the genocide, he is currently faced with tough questions back at home.
Authorities in Rwanda are deeply angered by the fact that Rusesabagina, courtesy of his high profile, today goes around the world allegedly trying to absolve the genocide masterminds of the crimes they committed.
So concerned, about Rusesabagina’s alleged portrayal in the movie, and what he is doing with the recognition, that a book has been written to specifically challenge his story in the movie.
Hotel Rwanda: Or the Tutsi Genocide as seen by Hollywood, co-authored by Alfred Ndahiro and Privat Rutazibwa was launched on Thursday, March 13 in Kigali. It was launched at Hotel des Mille Collines, the very place Rusesabagina was supposed to have carried out his heroic deeds.
Speaking in halting English that rainy evening, Bernard Makuza, Rwanda’s current prime minister, expressed his disgust with the movie and particularly the Utalii College-trained Rusesabagina.
The Prime Minister’s anger is perhaps informed by the fact that at the time of the genocide he was among those who sought refuge at the hotel.
He narrated how, during the Screening of the movie at the Serena Hotel in Kigali, he actually averted his gaze from the screen during the whole time the movie was being screened. “I only attended the screening of the movie out of protocol, as a government official. Otherwise there was no way I would have gone there,” said a fuming Makuza.
Apart from the prime minister, there were other persons who were at the hotel then, and who gave their testimonies, all of them saying that Rusesabagina was anything but the hero depicted in movie.
Serge Sakumi, who was 14, at the time recalls how a relative brought them to Hotel Mille Collines, only for Rusesabagina to turn them away for lack of money. He had turned out at the hotel with nine of his siblings.
All the while, armed Interahamwe militia were roaming the road waiting to pounce. “I was about to be killed in front of the hotel because I had no money. Rusesabagina does not have a human heart,” he charged. “How can he call himself a hero if he had no mercy on children.”
The book is filled with testimonies of how Rusesabagina harassed those in the hotel for payment and threatened to throw out those who did not have money.
“Many other Rwandans who took refuge in the hotel have publicly declared that the heroic acts attributed to the character of the film bear no resemblance to the reality of events there over that three-month period,” says the book.
It adds: “it should also be pointed out that the hotel manager, unlike the saviour portrayed in the film, initially prevented the refugees from procuring food from the Red Cross because he preferred to sell them the hotel supplies.”
Among other evidence book reproduces a copy of fax sent to Rusesabagina, from the hotel owners in Belgium, instructing him not to charge for food that was acquired for free.
In the movie Rusesabagina is depicted as a resourceful person, who persuades the architects of the genocide to spare the refugees by bribing them with cigars, alcohol and a little money.
“… General Bizimungu and his cohorts were not poor wretches that could be bribed with goodies…they were the cream of the genocidaires, that is, hardened killers with everything they could desire at their disposal, who had the power of life and death over almost everyone,” writes the authors.
In any case, the book argues that these genocide plotters were Rusesabagina’s friends, and that they would constantly drop in at the hotel for refreshments. It adds that through his ‘useful’ contacts with Georges Rutaganda, the Interahamwe vice-president, Rusesabagina was able to have a steady supply of alcohol at the hotel. “Not surprisingly, the senior officers of the Rwandan Armed Forces needed a quiet, safe place where they could quench their thirst and organise their next move after a killing spree,” says the book.
However, in his book Shake Hands with the Devil, LGen Romeo Dallaire acknowledges that Rusesabagina’s act of giving alcohol to the genocidaires contributed in a small way in saving the refugees in that hotel.
It should also be recalled that Rusesabagina’s wife, a Tutsi, and their children were also camped at the hotel, thus he had an obligation, if only to his family, to ensure that Tutsis in that hotel were out of harm’s way.
If as the book claims that Rusesabagina did not save the refugees from the genocide plotters who used to frequent the hotel, then how come these people did not come under attack?
Among other things the book owes the people’s safety to the UNAMIR, the United Nations peace keepers in Rwanda. It also says that expatriates, UN and other NGOs personnel, as well as international journalists were housed there, “which was enough to deter would-be murders from the wholesale massacres that were going on in the rest of the country.”
Rusesabagina’s credibility was dealt a further blow when Valerie Bemeriki, who was a presenter with the infamous Radio Television Libre des Mille Collines, (RTLM) and who is currently serving a life sentence in prison, for her role in the genocide, told researchers for the book that Rusesabagina used to pass on names to RTLM. “…I also know that if you reported anyone, like I used to do on radio…you put them on death row. That’s what he (Rusesabagina) used to do; he gave us the names we broadcast on RTLM,” Bameriki is quoted as saying.
It would appear that authors of the book put in quite some work in researching for the book. They even unearthed information to the effect that Rusesabagina at some point, while still working Hotel Mille Collines, in the early ‘90s, used to spy on Tutsis for the Rwandan Intelligence services.
And in what appears to be an obsession with the man, they have traced his every move. They are well aware that Rusesabagina formed the Hotel Rwanda Rusesabagina Foundation (HRRF), and whose registered directors are Rusesabagina, his wife and his two sons-in-law.
The authors also know that all the monies raised by the foundation actually goes into Rusesabagina’s personal account. Perhaps their real reason for hounding him, is the fact that “he used his newly-acquired fame, thanks to Hollywood to indulge in petty politicking that exposed his ethnic and revisionist tendencies.”
At some point Terry George, Hotel Rwanda’s director found himself in the thick of this controversy. In an article he wrote to the Washington Post in May 2006, seeking to clear his man, he suggests that the fact that Rusesabagina intends to form a political party, is causing the Rwandan ruling elite anxious moments. He nevertheless concludes that Hotel Rwanda 2 “is a sequel I never want to make.”
Suggested reading Shake Hands with the Devil by LGen Romeo Dallaire, An Ordinary Man, by Paul Rusesabagina, A People Betrayed: The Role of the West in Rwanda’s Genocide by Linda Melvern.