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Books Culture Non-Fiction Personalities Releases Reviews

Africa in the eyes of a retired Swiss diplomat

TITLE: In and Outside Africa: A Story of the Human Condition in Africa and the West

AUTHOR: Dominik Langenbacher

PUBLISHER: Mystery Publishers

REVIEWER: Mbugua Ngunjiri

In the course of his long and eventful diplomatic service, Langenbacher worked in many places around the globe, but it would appear that Africa had the most profound effect on him, probably due to the fact that his first posting was in Zaire, present day Democratic Republic of Congo, in the 1981.

Although the book contains details of his life and work experiences, and should ideally fall into the category of a memoir; it is much more than that. It is at the same time less than that.

The book opens with a narrative on crocodiles, or rather the evolution of that reptile. “My smallest crocodile is golden and only 13 millimetres long,” writes the author. “It is actually a pin on the head of a Zairean fetish, holding together a piece of real leopard skin with a synthetic ancillary… “

With such a dramatic introduction, rest assured that you are now embarking on a wild ride across Africa, parts of Europe and the US, but mostly Africa.

Then there is the humour, of the gallows variety, injected liberally throughout the narrative. Sometimes it hits you out of nowhere and so you must be prepared for the abruptness of it.

For example, in the course of his research on crocodiles, he discovered that some female crocodiles could develop embryos from an unfertilised egg, without the input of the male species. “This rare natural phenomenon is called parthenogenesis, virgin birth or asexual reproduction. No sex,” he writes.

Now, diplomats, when not in their stifling suits and ties, conducting sometimes boring official chores, are pretty interesting chaps. They can hold their own in a discussion on almost any topic on earth. They’ve been to many different places and interacted with a wide variety of people. They will wine and dine with corrupt dictators, in castles built in the middle of jungles.

They will also share a humble meal with pygmies who have been uprooted from forests, where they have co-existed with nature since time immemorial.

Do you start to see the contradiction and unfairness of it all? A dictator will destroy natural habitat, to build unsightly castles in the jungle, whereas people who have taken care of jungles and forests, living harmoniously with other forms of life, are thrown out and forced to beg for cigarettes in the concrete jungle.

In short, diplomats, have seen things and know things.

The author writes his book the best way he knows how. While the common practice infor memoirs, the author starts from the beginning, say when they were born, or slightly before that – their parents’ existence – Langenbacher opts to start from the VERY beginning; the evolution of man. The reader should thus prepare themselves for history lessons on early man, the homo erectus, homo habilis and homo sapiens.

Not a chapter ends without reference to those.

Oh, and if you thought that these are just idle musings of a diplomat with so much time on his hands, you would do well to know that he has actually visited the area, north of Kenya and South of Ethiopia, which are known as the Cradle of Humanity.

These are places that archaeologists discovered the earliest known human remains, Lucy in Ethiopia and Turkana Boy in Kenya.

And speaking about Lucy, the author provides an interesting anecdote about how that particular fossil got its name. “The name was derived from the Beatles’ song Lucy in the Sky with Diamonds, which the excavation team played repeatedly during her unearthing,” he writes.

If you thought that diplomats spend all their time in the diplomatic districts of Muthaiga and Gigiri – this is somewhat true of the time they spend in Nairobi – you would be surprised to learn that they have probably been more places in your village than you do.

The other thing you will have to contend with while reading this book is the amount of geography you will have to absorb. Here we are talking about the terminology your geography teacher struggled to hammer into your head during hot afternoon lessons, when you were having a real battle keeping your eyes open.

You get to know the countries that lie in the Equator, Tropics of Cancer and Capricorn. The author also takes a historical detour and lets us reflect on the Berlin Conference of 1884/5, where European imperialists divided the African continent, amongst themselves, like a piece of pizza.

The effects of those boundaries were communities that were torn apart, forced to live in different countries, despite shared heritage. He gives the example of the wildlife ecosystem that straddles Kenya and Tanzania – known as Maasai Mara National in Kenya and Serengeti in Tanzania. While there used to be a border post for tourists to cross to either side of the border, it has since been shut down, effectively ensuring that human traffic can’t cross to the other side of the border.

“Fortunately, the wildebeests, gazelles and zebras that cross the border between Tanzania and Kenya, every year, during their great migration remain unburdened by the imaginary line on a map and the machinations of the human brain around it,” observes the author ruefully.

Another thing that features prominently in the book, is the diverse cuisine of various African communities. A case in point is conversation Langenbacher had while in Ivory Coast and where he was given the definition of meat. Meat, he was informed, was ‘everything that moves but is not one of us’

As an aside, and with a twinkle in his eye, the host told him that cannibalistic communities use the same definition for humans that are not ‘one of us’.

East Africans, on the other hand are picky in what they eat; wild animals for Maasai pastoralists are off the menu. Donkeys ‘move and are not one us’, but are off limits.

Oh, and there is something for Rastafarians, who consider Ethiopia their spiritual home and Haille Selassie, their spiritual head.

In his visit to the Shashamane village in Ethiopia, which has a sizeable number of Jamaican immigrants/pilgrims, he tells the anecdote of how the former Ethiopian emperor, traces his roots to King Solomon, he of 700 wives and 300 concubines.

The story goes that when Queen of Sheba visited King Solomon, she somehow found herself on the King’s bed, a liaison that resulted in the birth of Menelik, whom King Solomon made the king of Ethiopia. Haille Selassie comes from the lineage of Menelik.

Due to the sheer amount of information packed in this book, be advised that this is not the kind of book you read in one sitting. You read a chapter at a time, let the knowledge sink in, before tackling another chapter.

That said, I would have wished to read of more human interactions, particularly where he interacted with political leaders in the countries he served as an ambassador. I would give anything to know how our politicians behave when in the company of European ambassadors.

Still, I got the distinct feeling that Dominik Langenbacher enjoyed himself immensely when writing this book.

Ngunjiri is the curator of Maisha Yetu, a digital Arts and Books media platform mbugua5ngunjiri@gmail.com

Categories
Books Culture Issues Non-Fiction Personalities Releases Reviews

Long walk to citizenship: the Nubi story in Uganda

TITLE: The Odyssey of the Nubi: From soldiers of the British Empire to Full Citizens in Uganda

AUTHOR: Moses Ali

PUBLISHER: Jescho Publishing House

REVIEWER: Mbugua Ngunjiri

AVAILABILITY: Nuria Bookstores

Uganda, as a country, has had a chequered history marked by leadership struggles informed by much bloodletting. For Kenyans, the much they know about the journey of Uganda to what it is today, is limited to the personalities that have been occupied leadership positions and to an extent, the communities they came from.

These individuals include, Edward Mutesa, Milton Obote, Idi Amin and current president Yoweri Museveni. While the communities where these leaders hail from are known, there is, however, one Ugandan community that has largely escaped the attention of Kenyans, probably due to the fact that none of them has ever scaled to top leadership position in that country.

The Nubi community has however played a larger-than-life role in the history of Uganda, even preceding the advent of colonialism. For the right or wrong reasons, the Nubi community in Uganda have featured centrally in shaping the history of the East African Nation.

The history of the Nubi in Uganda is as colourful and as chequered as that of the country. Above all else, theirs has been a story full of trials, tribulation and betrayal. It is not until Museveni came into power through a protracted bush war, that the Nubi found peace and recognition.

Moses Ali, a retired general in the Ugandan army, has put together a book that traces the roots of the Nubi, from Sudan, during the pre-colonial times, their role in midwifing the both the colonial and post-colonial Uganda sates, to the present.

The Odyssey of the Nubi: From soldiers of the British Empire to Full Citizens in Uganda, is a recommended read for anyone keen on knowing the other side of the Uganda away from the mutesas, obotes, Amins and Musevenis.

General Ali’s book gives a different – one might argue, refreshing – perspective of Uganda. When Nigerian novelist Chinua Achebe famously said that ‘until the lion learns how to write, every story will glorify the hunter’, he must have had the unsung contribution of the Nubi in the making of Uganda, in mind.

One story that has been told over and over again is the contribution of Rwandan refugees, who joined Museveni in liberating Uganda from the chokehold of Obote II and Tito Okello and their murderous band of soldiers. The story of the Rwandan refugees would have remained in the footnotes of history, had those soldiers not fought their way into power in Rwanda.

The story of the Rwandan refugees, mainly Tutsis, led by Paul Kagame, would not be as celebrated as it is today, had they not brought down the genocidal regime of Juvenal Habyarimana. Similarly, the story of the Nubi’s contribution to Museveni’s liberation of Uganda, would not be known had Gen Ali elected not to write this book.

It is therefore safe to say that the Nubi, through Gen Ali, are the proverbial lions that learnt to write and therefore managed to celebrate their contribution in shaping modern Uganda into what it is today.

When Obote, propped up by Tanzania’s president, the late Mwalimu Julius Nyerere, came back for a second stint as Ugandan president, he embarked on a negative campaign that sought to exterminate the Nubi, whose soldiers he blamed for backing up Idi Amin, when he ousted him (Obote) in a military coup in 1972.

Many Nubi’s lost their lives, while others fled to exile, in the hands of Obote’s troops, after he came back to power, via an election in 1980, which Gen Ali dismisses as a sham in his book. The author, who at one time was a finance minister in Amin’s regime, fled into exile in Sudan when Obote came back to power.

He writes that Amin sacked him and had sent assassins to finish him off

When Obote took his revenge campaign to West Nile, the homeland of the Nubi in Uganda, Gen Ali and others, who had served in Amin’s army, decided to push back when they formed UNRF (Uganda National Rescue Front), thereby creating a safe haven for their kinsmen in the region.

Museveni was at the same time, also waging war against Obote. Much later, Museveni and his National Resistance Army formed a pact with UNRF, which ushered them into power. The book explains that the Nubi in UNRF, courtesy of having career soldiers within its ranks, had the potential to capture state power in Uganda, only that it was hindered by internal wrangles.

General Ali currently occupies the office of second deputy prime minister as well as deputy leader of government in Uganda.

As book’s title suggests, the Nubi have struggled with the issue of citizenship in subsequent Ugandan governments. They finally achieved their citizenship dream with the enactment of the 1995 constitution.

When the book was launched in Kenya on Friday May 11, the Alliance Française library was filled with members of the Nubi community based in Kenya. The deliberations, inevitably, touched on the citizen status of the Nubi in Kenya.

Like their Ugandan counterparts, the Nubi of Kenya arrived as soldiers with the British imperialists, helping them establish the Kenyan colony. As a way of appreciation, the colonialists allocated the Nubi about 4,000 acres in present day Kibra. Out of the original 4,000 acres, the Kenyan government gave them title deed to 288 acres only, following years of agitation.

The Nubi of Kenya have made a petition to President William Ruto, who promised to look into the issue of getting them recognised as an ethnic community in Kenya. They are now awaiting a positive presidential announcement on December 12, during Jamhuri Day celebrations.

Categories
Awards Books Culture News

Here are the winners of the Maisha Yetu Awards 2023

As 2023 comes to a close, Maisha Yetu would like to appreciate and celebrate the best in terms of books and honour them with the Maisha Yetu Excellence Awards for 2023.

For hosting a successful Nairobi International Book Fair, the Kenya Publishers Association, for the second year running, takes the Maisha Yetu Award for the Best Body Corporate. This year, NIBF went a step further and hosted the first ever Rights Trading forum, in conjunction with eKitabu and the African Publishers Forum (APNET)

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In early September Peter Ngila Njeri, won the 2023 edition of the James Currey Prize for African Literature with his fiction manuscript, The Legend of Beach House. He beat other writers including those from Western and Southern African countries. What is more, Ngila shared his prize money with fellow nominees (he did not have to do that). For that reason, we award him the Maisha Yetu Young Writer of the Year (Male)

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Eunniah Mbabazi, is a self-published author and editor. Despite being a trained engineer, Eunniah chose a life of writing and publishing, with its ups and downs. She has written Breaking Down, an anthology of short stories, If My Bones Could Speak, a collection of poems, Unbirthed Souls, a collection of short stories and My Heart Sings Sometimes, a collection of poems. She has also edited, When A Stranger Calls, an anthology of Short stories, by different writers, currently doing well in the market. Eunniah, thus takes home the Maisha Yetu Young Writer of the Year (Female).

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Will Clurman is the CEO of eKitabu. For masterminding the Rights Café Pavilion, the first ever rights trading forum at the Nairobi International Book Fair, where 13 agents from different publishing, houses across the globe, congregated at the Nairobi International Book Fair, where several publishing deals were inked, Will Curlman wins the Maisha Yetu CEO of the Year Award.

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The Alliance Française in Nairobi has, since November 2019, offered its library space for authors, mostly young and self-published, to launch their books, free of charge, as well as hosting literary debates. This year alone, more than 50 books have been launched at the Alliance Française library. AF also hosts the Nyrobi Book Fest, where self-published authors have an opportunity to exhibit their books for free. For its role in promoting literature and writing, the  Alliance Française gets the 2023 Maisha Yetu Foreign Cultural Organisation of the Year.

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Independently published writers aka self-published writers, have for the longest time agonised over an outlet for their creative outlet. Many bookstores impose stringent, nay, impossible rules for them to stock independently published books. This changed when Nuria Bookstore came onto the scene. Nuria revolutionised bookselling in Kenya. Many first-time writers, who are mostly self-published found a willing ally in Nuria.

Nuria not only stocks their books for sale, they also help them market. Nuria, a brainchild of Abdullahi Bulle, goes out of its way to seek out events where they can sell, market, and generally promote books and their authors.

For the second year running, Nuria gets the 2023 Maisha Yetu Bookseller of the Year Award.

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The 2023 Maisha Yetu Award for the Most Creative, Most Sustained and thus, the Most Effective Marketing Campaign for a Book goes to Rough Silk, a memoir by Deborah Auko Tendo. The book shares the remarkable story of her father, a man who lived an extraordinary life in ordinary circumstances. Through his daughter’s eyes, we see his wisdom, his humor, his love and his legacy.

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In May this year, Kenya Publishers Association (KPA) donated foodstuffs, books and other assorted items to Eldoret School for the Hearing Impaired. This was during the Eldoret Regional Book Fair. Come September, KPA did the same for the Compassionate Hands for the Disabled in Ruai, during the Nairobi International Book Fair. Donating to the less fortunate has become a ritual for KPA, whenever they organise a book Fair.

It is thus in order for KPA to receive the 2023 Maisha Yetu Corporate Social Responsibility Award.

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The 2023 Maisha Yetu Lifetime Achievement Award goes to Edward Mburu Gachina. Mzee Gachina, 76, from Kandara in Muranga, beat all the odds to write and publish his memoirs, The Odyssey of an African Man. Despite the fact that he is just an ordinary retired old man, living in the village, he felt compelled to pen his autobiography for the sake of future generations. He is a retired accountant.

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John Kiriamiti, is reformed bank robber, who wrote My Life in Crime, while still in jail. For its vivid descriptions, twists and turns, cliff-hanger suspense and easy conversational writing style My Life in Crime remains a Kenyan bestseller 38 years after its publication. Little wonder then that when Neflix Kenya asked Kenyans, which book they would wish to be turned into a movie, Kenyans on social media voted for My Life in Crime, closely followed in second position to Mwangi Gicheru’s Across the Bridge.

Kiriamiti has written four other equally popular book, My Life in Prison, My Life with a Criminal, The Sinister Trophy and Son of Fate. This year alone, Kiriamiti headlined three major literary events in Nairobi, The NBO Litfest, The Nairobi International Book Fair and the Nyrobi Book Fest. It is for that reason that we award him the Maisha Yetu Personality of the Year.

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Silas Nyanchwani and Jacob Aliet have in the past two years made a name for themselves, for publishing socially conscious books that seek to advise men on how to lead better lives. Though their writing tends to be a bit controversial, these two writers have kept at it, in the process earning themselves grudging respects from some of their most persistent critics (women). Aliet is the author of Unplugged, which he recently upgraded to Unplugged 2 and 3. Nyanchawani, other hand dispenses his wisdom through 50 Memos to Men 1 and 2.

Nyachwani and Aliet make a tie and therefore share the 2023 Social Awareness Campaign through books.

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The Maisha Yetu Children’s Category Award goes to Brian Wairegi and the triplets of Julie, Jeremy and Jason Mugo. All are aged ten and have published books. Brian has written A Visit to the Farm, while the twins have written Triplet Tales.

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The Maisha Yetu Award for publisher of the Year Award goes to eKitabu for curating and hosting the very successful Rights Café at the Nairobi International Book Fair, a first in the region, where agents from different international publishers held talks with various authors and publishers in Kenya, with a view to buying rights to those books.

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Author’s Feet is a YouTube based show that features interviews with Kenyan authors. For its role in expanding and cementing the writers’ craft in Kenya, Author’s Feet, produced by Cynthia Abdallah Productions and hosted by the lively Ciku Kimani-Mwaniki, takes the 2023 Maisha Yetu Literary Show of the Year, for the second year running.

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For consistently bringing us news an information on African books, African authors and the general publishing scene in Africa, James Murua, who runs the Writing Africa website, takes the Maisha Yetu Blogger of the year.

Categories
Arts Culture Events

The Affordable Art Show, a collector’s dream

The Affordable Art Show (AAS) is probably the most exciting event in the calendar of Kenyan art events.

This is probably the only art show where rank amateurs get to share the same exhibition space with established professionals in the industry. And just like the title indicates, this is about the only place, art lovers can acquire a solid piece of art for as little as sh6,000, with the maximum price being sh150,000.

This is quite something, considering that good art does not come cheap. Art pieces, done by Kenyans, have been known to fetch as much as sh2 million. The AAS is therefore a collector’s dream.

Now, AAS took place from Friday October 27 to Sunday October 29 at the Nairobi National Museum where a total of 386 artists brought in 750 pieces. Most artists submitted the allowed maximum of two pieces.

Maisha Yetu’s experience at the event was much smoother as we had Lydia Galavu, curator of the Creativity Gallery at the National Museums of Kenya, as our guide. She explained how the pieces of art were arranged according to themes. As one entered the venue, the artworks one came face to face with had the dominant theme of women.

Here, the pieces were as varied as they were interesting. There was a particular nude piece that was quite thoughtful in its depiction. The woman with her head bent backwards, clutching pieces of grass, sat in the woods, with an owl flying close to her. Although her face is not visible, she appears to be in pain, probably why the owl was close by.

In most African cultures, sightings of owls portend a bad omen.

Further down, to the left, were pieces that featured landscapes, seascapes, village and city life. This was followed, towards the courtyard, by the big paintings. Also on exhibition were sculptures. Lydia explained that there is a growing number of entries by young artists, as exemplified by the styles they employed in their pieces. One of the techniques that caught the eye, was a unique mosaic featuring Lupita Nyong’o, which echoes famous Obama Hope mosaic.

While the Obama mosaic was entirely made up of flowers, this one consisted of intricately woven threads of different colours. “This style, threads on wood, is not entirely new,” explained Lydia. “It has however been making a slow comeback, since 2018, courtesy of young artists.”

She added that collages, made popular by Rosemary Karuga, in the eighties, were also making a comeback, again being driven by the young artists, who are now injecting youthful dynamism and creativity.

Among the notable artists who graced the opening night was Michael Soi, who had two pieces, a small one and a bigger, more exciting piece, which depicted a skimpily dressed woman of easy virtue, flashing three fingers to signify the ‘mambo ni matatu’ slogan, made popular by President William Ruto.

While Ruto’s three ‘things’ have to do with the fight against corruption, Soi’s woman was outlining the three preferred modes of payment: Cash, Mpesa and Bitcoin.

This piece was quickly snapped up.

Soi said that AAS holds a special place in his heart. “It is here that I sold my first ever piece in 1996. The reason is too sentimental,” he explained.

He was also on the lookout for Risper Achieng’s work. “I love her work; I have collected three of her pieces. I try get her work when I can afford it,” he added.

Kivuthi Mbuno, had two pieces on exhibitions, which were also snapped up, probably by collectors who know the uniqueness of his art. Mbuno belongs to the older generation of artists, most of whom are exiting life’s stage. They include the late Jak Katarikawe and the late Ancent Soi.

In a few years to come, their artworks will be rare collectors’ items and will be selling for a pretty penny.

AAS is an event organised by the Kenya Museum Society and founded by Marla Stone. “The Kenya Museum Society supports projects of the National Museums of Kenya,” explained Marla.

It was an event of the Society from the mid-1990’s when it was held in conjunction with the annual visual and performing Art Festival. Starting 2021, AAS has been held twice a year, May and October, as requested by artists; which is testament to the Show’s growing popularity.

Proceeds from the event go towards supporting projects of the National Museums of Kenya. Each artist is allowed to submit a maximum of two art pieces, which would include a painting, a 3D art piece or a sculpture. “We limit the number of entries per artist so as to allow as many artists as possible to participated,” added Marla.

A total of Ksh9 million was raised from the sale of artworks.

Buyers were mostly foreign nationals living in Kenya, a sizeable number of tourists popping in to get a piece of Kenyan art. Kenyans too are increasingly appreciating art and are letting their wallets speak.

The three-day event attracted 2,700 visitors.

Categories
Books Culture Non-Fiction Personalities Reviews

The making of a phenomenal black woman

Title: Finding Me

Author: Viola Davis

Publisher: HarperCollins

Reviewer: Scholastica Moraa

Viola Davis. The woman who set our screens on fire with her act in ‘The Woman King’. Picking this book was a search for who she is, for who she became; for the intricate pieces of what makes this phenomenal black woman.

Finding Me is a biography of one woman’s search for who she is. That eight-year-old girl, who kept running until she decided to run no more. Without holding anything back she shows us her family, in all its ugly, delicate and awfully beautiful edges. I fell in love with MaMama – her mother ‘with the -and stuff like that in tha’.

I honestly think no words can bring out the rawness with which Viola Davis brought out her story.  She fought so many demons her pain and shame are palpable. For people who cry easily, this can make you cry. Her violent father, the utter poverty… the struggle. But then these kids dreamt their pain away.

Viola Davis’ story is not the typical caterpillar that morphed into a butterfly. But rather a butterfly that never really knew how beautiful it was.

From a crumbling apartment in Central Falls, Rhode Island, this little girl clawed her way to the stage in New York City and beyond. From a girl struggling with bedwetting, running from bullies and being totally unrecognised, Viola has risen to become a household name. A woman we look up to. Someone black girls want to be. It is raw how she says that people did not expect someone who looked like her to take leading roles… but she did and excelled at it. Once she stopped running, once she went down on her knees, her prayers were answered. Some took longer than she expected; but they were answered.

Anyone would have understood if she had given up. But this woman did not. She rose to win several awards including an Oscar and graced our screens with her talent. An inspiration to any little girl who dares to dream. That it doesn’t matter where you start from. It doesn’t matter the odds stacked against you. You will get where you need to.

I totally recommend this read. A million times.

Moraa is a young woman navigating life. Author of Beautiful Mess… Co Author of Dreams and Demons and I’m Listening 2021 edition. She is also the winner of Kendeka Prize of African Literature-2022. She can be found with a book or two. When she’s not fighting to stay afloat, she is daydreaming, writing poetry or reading.

Categories
Books Culture Featured Fiction Issues Reviews

The tear-jerking experiences of a child bride

Title: The Girl with the Louding Voice

Author: Abi Dare

Publisher: Sceptre (UK)

Reviewer: Cynthia Abdallah

It is not enough that the main character Adunni will tug at your heartstrings and make you sympathize with the plight of the girl child in the novel, The Girl with the Louding Voice. Her father’s decision to marry her off to an old man in the village emphasizes the need to fight for the girl child who is vulnerable in a patriarchal society.

Adunni’s dreams of becoming a lawyer are hindered by her father’s poverty and mother’s demise and she is married off to an old man with 2 wives.

That Adunni is 14 years old does not deter the man who already cannot take care of his two wives from pushing for the young wife to give him a baby.

The broken English serves to enhance the innocence of this girl who only wants to have a louding voice.

Her singing and close relationship with her brother Kayus will tug at your heart and make you shed a tear for Adunni and especially for her brother.

The family unit is slowly disintegrating and the children again are at the centre of it.

Adunni is running away leaving her heartbroken brother behind and an enraged village pining for her blood.

Khadija is dead, Iya is dying, a slow painful death and Labake is going mad.

Despite the challenges that Adunni faces, she continues to fight and has a good sense of humor that makes you root for her all the way in the novel.

Get your copy!

About the author

Abi Daré grew up in Lagos, Nigeria and has lived in the UK for eighteen years. She studied law at the University of Wolverhampton and has an M.Sc. in International Project Management from Glasgow Caledonian University as well as an MA in Creative Writing at Birkbeck University of London. The Girl with the Louding Voice won The Bath Novel Award for unpublished manuscripts in 2018 and was also selected as a finalist in 2018 The Literary Consultancy Pen Factor competition. Abi lives in Essex with her husband and two daughters, who inspired her to write her debut novel.

Categories
Arts Awards Culture Events Fiction Issues News Non-Fiction Releases Short story

Submissions for Kendeka Prize now open

Short story writers have until May 15 to submit their entries to the Kendeka Prize for African Literature.

The call out for submission for the 2023 prize was made on Saturday January 28, during the inaugural Kendeka Lecture, held at the Mount Kenya University. The lecture, titled Why Literature Matters and Literary Prizes Matter, was delivered by Prof Austin Bukenya.

Entry for the prize is free.

“The Prize will be awarded for the best unpublished short story either in fiction or creative non-fiction,” says a statement from the Kendeka secretariat, signed by Andrew Maina, the founder. “The first prize will be Ksh100,000, while the second and the third prizes shall be Ksh50,000 and Ksh25,000 respectively.”

The announcement was made by Prof Goro Kamau, the incoming chair of the Kendeka Prize for African Literature.

Entrants must be born in, or are citizens of any African country. Manuscripts should be of between 3000 and 5000 words and must be in English.

The overall winner of the 2022 Prize was Scholastica Moraa,(Kenya) for her short story titled ‘Chained’. Adaoro Raji, (Nigeria) was the first runners-up for her story Star Boy’, while Beverley Ann Abrahams, from Zimbabwe was the second runners-up for her short story, Isithunzi’.

The winner of the 2021 Kendeka Prize for African Literature was Jenny Robson, Botswana, author of Water for Wine. Fatima Okhousami, from Nigeria, was the first runners-up for her story, The Women of Atinga House, while Okpanachi Irene Ojochegbe, from Nigeria, was the second runners-up for her story, Au Pair.

Other submission guidelines.

  • One entry per writer.
  • Entries should be attached in Microsoft Word or Rich Text format, with the title of the story as the file name.
  • The first page of the story should include the title of the story and the number of words.
  • The entry must be typed in Times New Roman 12-point font with 1.5 line spacing.
  • Entries must be sent as attachments to an email.
  • The email to which the story is attached must include the legal name of the writer, telephone number, a short Bio, age, and country of residence.
  • Entrants agree that the prize organizers may publicize the fact that a story has been entered, long listed, shortlisted or won the prize.
  • An author of a long listed story agrees to its inclusion in the anthology, and to work with editors to get the story ready for publication.
  • The long listing of a story is not a guarantee that the story shall be included in the anthology.
  • The winners, first and second runners-up in the past Kendeka Prize, are not eligible.
  • Every author confirms that the submission is their original work, it has not been published anywhere else, and that it has not been long listed in this prize or in any other prize.
  • The entrant gives exclusive global print and digital rights to Solano Publications Ltd for the long listed stories for publication in an anthology. The author retains the copyright.
  • The judges’ decision is final.
Categories
Arts Awards Culture Events Fiction News Personalities Poetry

Cynthia Abdallah wins 2022 Itanile Award

Kenya’s Cynthia Abdallah is among the winners of the 2022 Itanile Awards. The Awards, administered by Itanile Magazine, rewards the effort and commitment of literary creatives for advancing the African experience, through storytelling.

“We select winners of the award from works we publish from January to December every year,” says Itanile. “Our guest editor selected winners based on strength, quality, and the impact of their works on the Itanile community. The winners in each category received $200 each.”

Ms Abdallah won in the Chapbook category, for her poetry collection, Author’s Feet.

In the Fiction category, the winners were Chioma Mildred Okonkwo for Time is Different Over Here and Enit’ayanfe Ayosojumi Akinsanya for A Rehearsal of Shame. In the Poetry category, the winners were Onyedikachi Shaquille Johnson for May the Thirtieth and Olabisi Akinwale At the Twilight of Your Sojourner.

Itanile is a literary brand that provides a platform for African writers to publish stories they want to tell about the African experience.

The awarded works, selected by guest editors, will be chosen based on strength, quality, and impact on the Itanile community. All works published by Itanile throughout the year – up till October – will be considered for the awards.

Ms Abdallah is a multi-talented artist. She is not only a writer; she is also a filmmaker. She is the author of the poetry chapbooks, My Six Little Fears and The Author’s Feet. She has also authored a collection of short stories: The Musunzu Tree and Other Stories.

Two of her documentaries, Tales from the Pandemic and Inyumba Yu Mulogooli, were nominated for the Kalasha 2022 Awards. 

She is also the producer of The Author’s Feet, a show available on YouTube. 

Ms Abdallah, 36, is based in Caracas Venezuela, where she teaches English and Literature. 

Categories
Books Culture Non-Fiction Reviews

Feminists are not unhappy women who hate men

Title: We should all be feminists

Author: Chimamanda Ngozi Adichie

Reviewer: Scholastica Moraa

Being a diehard Chimamanda fan, it is always a pleasure reading her works. Being a feminist it is an absolute thrill reading and rereading this treasure.  The book explores what a feminist is and what a truly beautiful world it would be if we were all feminists. Believing in a world where we are treated equally regardless of our gender.

We are living in a world where by being born female, women are already guilty of something. They are trying to measure up to the expectations the world has set but it is hard given the circumstances. Being unmarried is considered a personal failure while the unmarried men are said to be taking their time. We are raising men who are taught to be ‘hard’. Who are taught to be afraid of fear and vulnerability.  Then women have the more difficult job of catering to these fragile egos.

This is a beautiful book because it reminds us that feminists are not unhappy women who hate men and who shy away from their feminine said. But women advocating for a fair world. For both boys and girls. We really should all be feminists.

I would give this book a ten any day.

Categories
Books Culture Education Featured Fiction Personalities

Kenyan priest who wrote a novel and won an award

Ten things you should know about Father Samuel Wachira, the only priest in Kenya, to have written a full-length book on popular literature.

1. Father Samuel Wachira was born and raised in Sagana, Kirinyaga County.

2. He studied priesthood at the Pontifical Institute for Biblical Studies in Rome.

3. His first posting as a priest was in the Amazon Forest, in Brazil, where he served for close to ten years.

4. Deep in the Amazon Forest, there was no electricity and the road network was poor. Sometimes it would rain for a whole straight week and the priest would spend the entire time indoors. “I decided to occupy myself with writing,” he says. That is how Gold Rush, his first book, was born.

5. The death of Father Kamau Ithondeka, who was his college-mate in Rome, during the 2007/8 Post-Election Violence, moved Father Wachira to write Whistleblower. He was still ministering in Brazil.

6. After he came back to Kenya, Father Wachira served briefly at St Mukasa Parish, in Kahawa West, before being posted to Blessed Allamano Runogone Catholic Parish, in Meru, where he serves to date. Back in Kenya, he wrote Tales from the Amazon, a collection of short stories targeted at Standard Seven and Eight pupils.

7. His fourth book, A Spider’s Web, dealing with drug abuse, was made a set-book for Teacher Training Colleges (2021 to 2025). “Writing this book helped me cope with the deaths of my father and younger brother,” says Father Wachira.

8. During the Covid-19 pandemic lockdown, Father Wachira, again, found himself with spare time as churches had been closed. He used the time to write Hustler’s Chains, which won the Wahome Mutahi Literary Prize, in September.

9. Two of his books have been runners-up in the Jomo Kenyatta Prize for Literature (Whistle Blower in 2017 and The Spider’s Web in 2019)

10. Father Wachira has been published by three different publishers. East African Educational Publishers (Gold Rush and Tales from the Amazon), Longhorn (Whistleblower) and One Planet (Spider’s Web and Hustlers’ Chains).